TempoPlus: Unearthing DJ Jord-e's Digital Mix History
For many DJs, their journey is marked by evolving technology, forgotten online footprints, and the occasional 'aha!' moment of rediscovery. For DJ Jord-E, a recent delve into digital memories brought a specific piece of the past sharply back into focus: a website, a pair of early mixes, and the elusive name of the music player widget that once showcased them.
Rewind about fifteen years, and the website address www.dj-jord-e.me.uk was a humble digital home for two of DJ Jord-E's very own DJ mixes. These weren't just any mixes; they represented an early foray into sharing his craft online, powered by a clever little player that made the experience seamless for visitors.
Rewind about fifteen years, and the website address www.dj-jord-e.me.uk was a humble digital home for two of DJ Jord-E's very own DJ mixes. These weren't just any mixes; they represented an early foray into sharing his craft online, powered by a clever little player that made the experience seamless for visitors.
Initially, the name, "Mix Tempo", lingered in his memory as the identity of this useful widget. It sounded right, fitting the context of DJing. But a recent rummage through old Blogger images brought a delightful correction: the widget was, in fact, TempoPlus! This small but significant detail brought clarity to a long-held memory, confirming the tool that once served as the digital stage for his early creations.
But how were these early digital artifacts created? The process was a blend of analog reverence and emerging digital techniques. DJ Jord-e meticulously recorded a selection of tracks from his cherished 12-inch vinyl record collection. This was done using Sound Forge, a popular audio editing software of the era, to digitize the warmth and depth of the vinyl.
To ensure high-quality capture, a PCIe ESI sound card was employed, hinting at a dedication to audio fidelity even in these formative stages. Once digitized, these tracks weren't simply uploaded; they were burned to blank CD-R discs. These custom-made CDs then served as the playback medium for the mixing sessions on his Numark CDX decks. This process highlights a time before ubiquitous digital files and streaming, where physical media still played a crucial role in a DJ's workflow.
To ensure high-quality capture, a PCIe ESI sound card was employed, hinting at a dedication to audio fidelity even in these formative stages. Once digitized, these tracks weren't simply uploaded; they were burned to blank CD-R discs. These custom-made CDs then served as the playback medium for the mixing sessions on his Numark CDX decks. This process highlights a time before ubiquitous digital files and streaming, where physical media still played a crucial role in a DJ's workflow.
Numark CDX. Numark PPD 9000. Featured on www.dj-jord-e.me.uk in 2009.
Posted by Jordan Eves Music on Sunday 26 May 2024
Numark CDX. Numark PPD 9000. Featured on www.dj-jord-e.me.uk in 2009.
Posted by Jordan Eves Music on Sunday 26 May 2024
The journey didn't stop there. While those original mixes from 15 years ago are part of the archives, DJ Jord-e's passion for mixing has clearly endured. His exploration into his past also brought to light more recent work, demonstrating a consistent passion for his craft.
Here is a commentary on a 1-hour mix from 2016, offering a glimpse into his evolving style:
.......and from the same year, 2016, here is another mix of about an hour, showcasing further sonic journeys:
This look back at www.dj-jord-e.me.uk, the rediscovery of TempoPlus, and the detailed process of creating those early digital mixes, is a testament to the ever-evolving landscape of DJing and online content. It's a journey marked by technological shifts, but consistently driven by the enduring love for music and the art of the mix.
Comments
Post a Comment